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Warmth
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dagoldenknight86
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PostPosted: Fri May 11, 2007 7:08 pm    Post subject: Reply with quote

My thoughts.. I never really liked the sound of a record. The only time I ever used one was to convert my Mom's Elvis record to CD (also eliminated the pops hiss ect). I think the perfect example of "warmth" is a good reel to reel. In fact I know a few bands / producers still use tape because it is so "warm". A problem I'm facing at my radio station (we're doing a total make over, everything will be 100% digital and we're getting ready for HD) is the solid digital sound is very clean / flat. Altho with a great tube pre-amp it sounds ok. With work and great equipment and uncompressed audio you can get a pretty warm sound.

that's my two cents. Smile.
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Jowillie
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PostPosted: Fri May 11, 2007 7:29 pm    Post subject: Reply with quote

Quote:
...everything will be 100% digital

Then you will want to avoid using mp3 for on-air.
we
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dagoldenknight86
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PostPosted: Fri May 11, 2007 7:31 pm    Post subject: Reply with quote

Yeah, We're doing everything uncompressed 90 something K in resolution. It's really a sweet set up. My new production board has flying faders... I think half my time will be spent playing with those Inoccent
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Frank F
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PostPosted: Fri May 11, 2007 8:36 pm    Post subject: Reply with quote

Sorry folks, what seems to be the theme here in the last few folks posts is: digital v. analog.

I am still partial to the sound of analog recordings. But "warmth" is not a product of either digital or analog (although analog does have a more "passionate" sound).

CWtoo: Thank you for the revised and revived version of the "Lettermen" classic.

"I believe" you will find the right answers if you explore your current digital set-ups. Find and listen for "presense and warmth" in the so-called "rythmic" or "urban-urban AC" or most curent music which uses a chain of DDDA (Digital recording to Digital mastering to Digital distribution to Analog playback -- yes, your headphones are an analog device, we do not have the capability to hear one's and oh's). This sterile environment is not what I would call warm and friendly, this environment is just, sterile.

Find an older CD which was recorded ADDA. You will find a warmer, richer, more robust sound which has nothing to do with processing.

Find a two inch analog recording and play it back on some Klipsch LaScala's, K-horn's, or good JBL's. Then listen to the differences of a current DDDA recording of the same music and the original analog waveform... I believe you will be surprised at what you are hearing.

Find comfort in your EQ's and pre-amps if you will... I am old, fat, and sassy... and I believe in the old analog ways; although I have to "put up with" todays digital world.

I guess I am an antique.

Toodles

Frank F
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Jeffrey Kafer
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PostPosted: Fri May 11, 2007 10:08 pm    Post subject: Reply with quote

iladelf wrote:
To me, the difference between "warm" and "harsh" could be best heard by listening to your favorite album on CD, then on a good turntable with vinyl.

Actually you bring up a really good memory. When I was in Audio production school at San Francisco State U, my audio professor converted the entire class en masse to the wonders of analog. years ago, he got the great horn rock band Tower of Power to record in the studio.

First he played the produced CD version. Sounded great.

Then he played the original 2 inch master. Absolutely blew us away. The sound was full and encompassing and sounded much more.... something... than the CD did.
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bobbinbeamo
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PostPosted: Sat May 12, 2007 1:24 pm    Post subject: Reply with quote

This is an interesting discussion on mics. Speaking of Neumann, do any of the women here have any experiences to share about the TLM 103?
I've heard this large-diaphram model sounds "warm" at a fraction of the U87i, and is good for women's voices.
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Diane Maggipinto
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PostPosted: Sat May 12, 2007 1:48 pm    Post subject: Reply with quote

not on the tlm 103, bobbin, but i did have a sesh last week with the U87.

swoooooooooooooon. Wub
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Yoda117
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PostPosted: Sat May 12, 2007 2:31 pm    Post subject: Reply with quote

despite what anyone says, the TLM103 is not a "poor man's U87", it's a "poor man's Neumann".

When I've heard it on women's voices, I've rarely liked the sound. I find it better as an overhead mic and on some male voices, some female voices, but regardless of gender the mic was always more picky about the preamp than I would have expected.

For the same cost, I'd look at the Gefell UM930, which is what I think the TLM103 ought to have been, but somehow wasn't. If you want a "poor man's U87", check out the UMT70s, also by Gefell. I didn't like it for my voice, but every woman I ever heard on it sounded great.

If you're looking for something more neutral, peek at the U89.

For my tastes with the U87, I'm enjoying the AI through a good pre with transformer.

...though not nearly as much as my Horch Wink
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bobbinbeamo
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PostPosted: Mon May 14, 2007 7:15 pm    Post subject: Reply with quote

Thanks Yoda117 for your recommendations. Diane, I am assuming your "sesh" with the U87 made you sound reallllly great.
As for me, I listened to myself recently through one and I sounded warm, but almost all bass. The midrange seemed non-existent. I am still investigating it all for now. I have a session off-site tomorrow. I'll be talkin'mics with the studio engineer.
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