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Booth setup
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Frank F
Fat, Old, and Sassy


Joined: 10 Nov 2004
Posts: 4421
Location: Park City, Utah

PostPosted: Thu Feb 07, 2013 8:05 am    Post subject: Reply with quote

Thanks Don.

The McGuyver method still works and works well.

FF
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Diane Maggipinto
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Joined: 03 Mar 2006
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Location: saul lay seetee youtee

PostPosted: Thu Feb 07, 2013 11:01 am    Post subject: Reply with quote

if corey has hardwood floors above, none of that will work. i know ...
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cyclometh
King's Row


Joined: 06 Aug 2010
Posts: 1051
Location: Olympia, WA

PostPosted: Thu Feb 07, 2013 12:07 pm    Post subject: Reply with quote

Unfortunately, Diane has it spot-on. The house is a two-level with a daylight basement. My studio is in a corner of the basement, so two walls are cement backed by earth- that's good. But the first/top floor is all hard floors and the house is built with a massive "spine" beam that essentially transmits every step from end to end.

I can't record if my wife is walking in the kitchen upstairs at the other end of the house, nor can she run the dryer, etc.

It's a bite because you'd think the site is perfect, and in a lot of ways it is, except that there is so much acoustic transparency and mechanical connections to the exterior.

I've considered injectable foam, but based on my research and tests I don't know that I could really get enough dampening, and then I'd be committed.

The three options that I think are most likely to be the biggest gain:

* Rebuild with a massive addition of mass, acoustically-opaque insulation and such.
* Floating walls and ceiling inside the current room. I don't like this option because it's complex, makes the room smaller and probably would cost about as much as the other options.
* A good-sized booth.

Personally, I like option 1 the most. I think option 3 is the most realistic for the near future, with option 1 becoming more viable within a few years as I grow my business.
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Corey "Vox Man" Snow
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Rob Ellis
M&M


Joined: 01 Aug 2006
Posts: 2385
Location: Detroit

PostPosted: Thu Feb 07, 2013 12:37 pm    Post subject: Reply with quote

I am a boother and after the booth and the treatment it ain't cheap, but it does work and none other than our own soundgun recently heard very little acoustical difference over a Source Connect line between me in my booth and me in my room (which is well treated but not so well isolated)

The key with a booth is a healthy measure of rockwool or OC703/705 panels, positioned properly, along with a definite proclivity to NOT be claustraphobic.

But I can say that with the aforementioned setup, any important/live sessions I have are worry -free as far as outside noise goes.
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whalewtchr
Cinquecento


Joined: 18 Feb 2010
Posts: 582
Location: Savannah, GA

PostPosted: Thu Feb 07, 2013 1:30 pm    Post subject: Reply with quote

Interestingly, these Booths were originally designed for musicians to practice their instruments and when they closed the door, the rest of us in the immediate area would not have to hear it. Somewhere along the line, it was decided they could be used to keep sound out as well as keep sound "in", so a recording booth was born.

There are some excellent threads in the archives and maybe some answers that work for you Corey.

I am a "room guy" it is treated, but to avoid external noises (not all mind you) I record in the middle of the night-my wife has a life and is appreciative ;>)
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ballenberg
Lucky 700


Joined: 10 Nov 2004
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Location: United States

PostPosted: Thu Feb 07, 2013 3:04 pm    Post subject: Reply with quote

Corey-
+1 on Option 1--it's more expensive and time-consuming but you won't regret it. I will say however, that hardwood floors above, even with studio construction techniques, may still cause issues. Impact noises are the hardest to eliminate--Even been in some rather costly NYC studios where I could hear high heels on the next floor. Luckily, it was not a clogging class.

Heavy rugs and padding will certainly help--as will the "slippers only while Daddy's recording" technique. But having the room not have any physical attachment to the floor above does make a huge difference.
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heyguido
MMD


Joined: 31 Aug 2011
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Location: RDU, the Geek Capitol of the South

PostPosted: Thu Feb 07, 2013 3:19 pm    Post subject: Reply with quote

That beam is the killer issue. A plump rug and a good pad under it could allay some of the noise from the daughter's room directly overhead, but that beam will transmit every thud and hum from one end of the house to the other.

What's your ceiling height down there, Corey? Can you float a ceiling, and back it up with insulation?
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Don Brookshire
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cyclometh
King's Row


Joined: 06 Aug 2010
Posts: 1051
Location: Olympia, WA

PostPosted: Thu Feb 07, 2013 4:03 pm    Post subject: Reply with quote

The ceiling is 7 foot 7 inches, give or take an inch. The spine beam is just outside the door. I don't think I could float a ceiling that wouldn't be claustrophobic for me (I'm 6'4").
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Corey "Vox Man" Snow
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D Voice
Been Here Awhile


Joined: 26 Jun 2010
Posts: 232

PostPosted: Thu Feb 07, 2013 5:06 pm    Post subject: Reply with quote

The man seems to have considered this pretty carefully and feels he needs a booth, so we should probably answer his question and try to help solve his issues, rather than tell him to want something else.

However, I must be missing something. The booth will have some opening for cables, etc. to go through, correct?

Took me a while to discover that (my) PCs- and Mac- will accept a second mouse and keyboard via USB. So I have one set at the desk, and another in the recording space (a room but the same principle applies), and a video splitter for the screen- which in Corey's space could be inside the booth, or visible through a window, Assuming, of course that the booth is not too far from the computer.

Not as sexy as wireless remote controls on a new-fangled device, but it should work.

Alternatives would be using a footswitch, or the PowerMate USB assignable controller, the knob you can program something like six functions, as long as it works with Cubase.

http://store.griffintechnology.com/powermate-1
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cyclometh
King's Row


Joined: 06 Aug 2010
Posts: 1051
Location: Olympia, WA

PostPosted: Thu Feb 07, 2013 5:10 pm    Post subject: Reply with quote

D Voice wrote:
The man seems to have considered this pretty carefully and feels he needs a booth, so we should probably answer his question and try to help solve his issues, rather than tell him to want something else.


Oh, no worries at all there. I love to hear ideas and thoughts on the topic, and I'll be the first to admit that I may not be going in the right direction. Smile

Yes, the booth I'm looking at will have cable runs, but would most likely be a goodly distance from the computer- which is already outside the room; I knocked a hole in the wall and put conduits through because it's just too noisy to have it inside. Still get a little hum from it, but it's easy enough to EQ out and is pretty quiet.

I'll check out the PoweMate, thanks for the tip!
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Corey "Vox Man" Snow
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georgethetech
The Gates of Troy


Joined: 18 Mar 2007
Posts: 1878
Location: Topanga, CA

PostPosted: Fri Feb 08, 2013 1:56 am    Post subject: Reply with quote

A 7'7" ceiling – is going to be very tight for any sort of prefabricated voiceover booth solution. However if you leave the wheels off of the booth you might be able to fit something relatively comfortably. To completely stop the sound of footfall coming through the structure above the booth must be extremely well isolated. One of my clients has a vocalbooth.com gold series which is a double wall booth and you can still hear the kids walking around upstairs in her three-story apartment. With enough ceiling clearance he might just have to beef up the ceiling of whatever booth you buy with layers of gypsum board.
To preserve as much ceiling height as possible you might be able to get away with a floorless booth that sits right on the concrete slab. That's assuming the concrete slab is transmitting a very minimal amount of noise. A custom-built isolation space will likely cost very little more than a prefabricated booth while providing much better isolation, if you go the DIY route.
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George Whittam
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Dayo
Cinquecento


Joined: 10 Jan 2008
Posts: 544
Location: UK

PostPosted: Fri Feb 08, 2013 2:27 am    Post subject: Reply with quote

cyclometh wrote:
I love the idea of an iPad aHobo Tounge for controlling my DAW but since I'm using it to read the copy, it's kind of impractical. Frown
.


Get a second iPad?
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Colin Day - UK Voiceover
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graemespicer
Been Here Awhile


Joined: 25 Feb 2012
Posts: 243
Location: Toronto

PostPosted: Fri Feb 08, 2013 6:01 am    Post subject: Reply with quote

Or just a cheap generic tablet to read the Hobo LaughingF documents on.
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Neil K. Hess
Contributore Level V


Joined: 13 Dec 2012
Posts: 184
Location: Washington State

PostPosted: Fri Feb 08, 2013 7:34 am    Post subject: Reply with quote

I have tried all three, paper, ipad and 2nd monitor and for me the second monitor is by FAR the winner. If you can make it work, my vote goes to a second monitor.
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