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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Thu Feb 07, 2013 8:05 am Post subject: |
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Thanks Don.
The McGuyver method still works and works well.
FF _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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Diane Maggipinto Spreading Snark Worldwide

Joined: 03 Mar 2006 Posts: 6679 Location: saul lay seetee youtee
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Posted: Thu Feb 07, 2013 11:01 am Post subject: |
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if corey has hardwood floors above, none of that will work. i know ... _________________ sitting at #8, though not as present as I'd like to be. Hello!
www.d3voiceworks.com |
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cyclometh King's Row

Joined: 06 Aug 2010 Posts: 1051 Location: Olympia, WA
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Posted: Thu Feb 07, 2013 12:07 pm Post subject: |
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Unfortunately, Diane has it spot-on. The house is a two-level with a daylight basement. My studio is in a corner of the basement, so two walls are cement backed by earth- that's good. But the first/top floor is all hard floors and the house is built with a massive "spine" beam that essentially transmits every step from end to end.
I can't record if my wife is walking in the kitchen upstairs at the other end of the house, nor can she run the dryer, etc.
It's a bite because you'd think the site is perfect, and in a lot of ways it is, except that there is so much acoustic transparency and mechanical connections to the exterior.
I've considered injectable foam, but based on my research and tests I don't know that I could really get enough dampening, and then I'd be committed.
The three options that I think are most likely to be the biggest gain:
* Rebuild with a massive addition of mass, acoustically-opaque insulation and such.
* Floating walls and ceiling inside the current room. I don't like this option because it's complex, makes the room smaller and probably would cost about as much as the other options.
* A good-sized booth.
Personally, I like option 1 the most. I think option 3 is the most realistic for the near future, with option 1 becoming more viable within a few years as I grow my business. _________________ Corey "Vox Man" Snow
http://voxman.net |
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Rob Ellis M&M

Joined: 01 Aug 2006 Posts: 2385 Location: Detroit
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Posted: Thu Feb 07, 2013 12:37 pm Post subject: |
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I am a boother and after the booth and the treatment it ain't cheap, but it does work and none other than our own soundgun recently heard very little acoustical difference over a Source Connect line between me in my booth and me in my room (which is well treated but not so well isolated)
The key with a booth is a healthy measure of rockwool or OC703/705 panels, positioned properly, along with a definite proclivity to NOT be claustraphobic.
But I can say that with the aforementioned setup, any important/live sessions I have are worry -free as far as outside noise goes. |
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whalewtchr Cinquecento

Joined: 18 Feb 2010 Posts: 582 Location: Savannah, GA
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Posted: Thu Feb 07, 2013 1:30 pm Post subject: |
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Interestingly, these Booths were originally designed for musicians to practice their instruments and when they closed the door, the rest of us in the immediate area would not have to hear it. Somewhere along the line, it was decided they could be used to keep sound out as well as keep sound "in", so a recording booth was born.
There are some excellent threads in the archives and maybe some answers that work for you Corey.
I am a "room guy" it is treated, but to avoid external noises (not all mind you) I record in the middle of the night-my wife has a life and is appreciative ;>) _________________ jonahcummings |
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ballenberg Lucky 700
Joined: 10 Nov 2004 Posts: 793 Location: United States
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Posted: Thu Feb 07, 2013 3:04 pm Post subject: |
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Corey-
+1 on Option 1--it's more expensive and time-consuming but you won't regret it. I will say however, that hardwood floors above, even with studio construction techniques, may still cause issues. Impact noises are the hardest to eliminate--Even been in some rather costly NYC studios where I could hear high heels on the next floor. Luckily, it was not a clogging class.
Heavy rugs and padding will certainly help--as will the "slippers only while Daddy's recording" technique. But having the room not have any physical attachment to the floor above does make a huge difference. |
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heyguido MMD

Joined: 31 Aug 2011 Posts: 2507 Location: RDU, the Geek Capitol of the South
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Posted: Thu Feb 07, 2013 3:19 pm Post subject: |
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That beam is the killer issue. A plump rug and a good pad under it could allay some of the noise from the daughter's room directly overhead, but that beam will transmit every thud and hum from one end of the house to the other.
What's your ceiling height down there, Corey? Can you float a ceiling, and back it up with insulation? _________________ Don Brookshire
"Wait.... They wanna PAY me for this?" |
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cyclometh King's Row

Joined: 06 Aug 2010 Posts: 1051 Location: Olympia, WA
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Posted: Thu Feb 07, 2013 4:03 pm Post subject: |
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The ceiling is 7 foot 7 inches, give or take an inch. The spine beam is just outside the door. I don't think I could float a ceiling that wouldn't be claustrophobic for me (I'm 6'4"). _________________ Corey "Vox Man" Snow
http://voxman.net |
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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Thu Feb 07, 2013 5:06 pm Post subject: |
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The man seems to have considered this pretty carefully and feels he needs a booth, so we should probably answer his question and try to help solve his issues, rather than tell him to want something else.
However, I must be missing something. The booth will have some opening for cables, etc. to go through, correct?
Took me a while to discover that (my) PCs- and Mac- will accept a second mouse and keyboard via USB. So I have one set at the desk, and another in the recording space (a room but the same principle applies), and a video splitter for the screen- which in Corey's space could be inside the booth, or visible through a window, Assuming, of course that the booth is not too far from the computer.
Not as sexy as wireless remote controls on a new-fangled device, but it should work.
Alternatives would be using a footswitch, or the PowerMate USB assignable controller, the knob you can program something like six functions, as long as it works with Cubase.
http://store.griffintechnology.com/powermate-1 |
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cyclometh King's Row

Joined: 06 Aug 2010 Posts: 1051 Location: Olympia, WA
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Posted: Thu Feb 07, 2013 5:10 pm Post subject: |
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D Voice wrote: | The man seems to have considered this pretty carefully and feels he needs a booth, so we should probably answer his question and try to help solve his issues, rather than tell him to want something else.
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Oh, no worries at all there. I love to hear ideas and thoughts on the topic, and I'll be the first to admit that I may not be going in the right direction.
Yes, the booth I'm looking at will have cable runs, but would most likely be a goodly distance from the computer- which is already outside the room; I knocked a hole in the wall and put conduits through because it's just too noisy to have it inside. Still get a little hum from it, but it's easy enough to EQ out and is pretty quiet.
I'll check out the PoweMate, thanks for the tip! _________________ Corey "Vox Man" Snow
http://voxman.net |
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georgethetech The Gates of Troy

Joined: 18 Mar 2007 Posts: 1878 Location: Topanga, CA
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Posted: Fri Feb 08, 2013 1:56 am Post subject: |
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A 7'7" ceiling – is going to be very tight for any sort of prefabricated voiceover booth solution. However if you leave the wheels off of the booth you might be able to fit something relatively comfortably. To completely stop the sound of footfall coming through the structure above the booth must be extremely well isolated. One of my clients has a vocalbooth.com gold series which is a double wall booth and you can still hear the kids walking around upstairs in her three-story apartment. With enough ceiling clearance he might just have to beef up the ceiling of whatever booth you buy with layers of gypsum board.
To preserve as much ceiling height as possible you might be able to get away with a floorless booth that sits right on the concrete slab. That's assuming the concrete slab is transmitting a very minimal amount of noise. A custom-built isolation space will likely cost very little more than a prefabricated booth while providing much better isolation, if you go the DIY route. _________________ If it sounds good, it is good.
George Whittam
GeorgeThe.Tech
424-226-8528
VOBS.TV Co-host
TheProAudioSuite.com Co-host
TriBooth.com Co-founder |
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Dayo Cinquecento

Joined: 10 Jan 2008 Posts: 544 Location: UK
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Posted: Fri Feb 08, 2013 2:27 am Post subject: |
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cyclometh wrote: | I love the idea of an iPad a for controlling my DAW but since I'm using it to read the copy, it's kind of impractical.
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Get a second iPad? _________________ Colin Day - UK Voiceover
www.thurstonday.co.uk |
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graemespicer Been Here Awhile

Joined: 25 Feb 2012 Posts: 243 Location: Toronto
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Posted: Fri Feb 08, 2013 6:01 am Post subject: |
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Or just a cheap generic tablet to read the F documents on. _________________ Graeme Spicer
Voice Actor
Member of the World-Voices Executive Board
tel • (416) 716-2246
email • graeme@graemespicer.com
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Neil K. Hess Contributore Level V

Joined: 13 Dec 2012 Posts: 184 Location: Washington State
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Posted: Fri Feb 08, 2013 7:34 am Post subject: |
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I have tried all three, paper, ipad and 2nd monitor and for me the second monitor is by FAR the winner. If you can make it work, my vote goes to a second monitor. _________________ http://neilkhessvo.com |
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