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VO-BB - 20 YEARS OLD! Established November 10, 2004
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Ed Gambill Cinquecento

Joined: 18 Nov 2007 Posts: 561 Location: King, NC 35mi SE of Mayberry
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Posted: Wed Jan 09, 2008 5:25 pm Post subject: |
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I'm not rich like Frank, so I use a Peluso 22-251. A microphone inspired by the Telefunken ELMA 251 with C12 style capsule and good guts.
I have used the 416 and other shotguns on location sound. They have a distinctive sound.
Large diaphragm are probably used in most situations. If Frank is using a vintage C12 you would need $15,000 for him to consider selling it. Now if my 22-251 were a vintage ELMA 251 the same price would hold. In the recording business those two microphones are the holly grail. There are large diaphram micropones and then ,there are other large diaphram microphones.
Now I'm going get it for sure
PS Rember all those heavy hitters doing the Night Before Christmas video. It looked all the world to me like a 103 and not a 416 they were on. And I think it was recoreded in LA area. _________________ Esse quam videri "To be rather than to seem"
www.SaVoa.org No. 07000 Member AES 
Last edited by Ed Gambill on Wed Jan 09, 2008 5:37 pm; edited 1 time in total |
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Hart Assistant Asylum Chief

Joined: 03 Jan 2006 Posts: 2107 Location: Foley, AL
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Posted: Wed Jan 09, 2008 5:33 pm Post subject: |
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It's been said before but I think it's worth repeating here. Part of the success of the "standards, " being the Sennheiser MKH416 and the Neumann U-87, are the fact that they are standards. Engineers know how each mic sounds and what to do with that sound. There's something to be said for that. Does it mean these are the only two mics you should consider? Of course not. But it is worth remembering.
I love my 416. I also love my RE-20. And I also love that wireless SM58 knockoff I keep only because it was my very first microphone and my mother gave it to me so many years ago when I was DJ'ing 16 year old girls' birthday parties. <shudder>.
But I digress. As Yoda is found of saying, mics are like paint brushes etc. _________________ Hart Voice Overs Blog
Brian Hart Productions |
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Ed Gambill Cinquecento

Joined: 18 Nov 2007 Posts: 561 Location: King, NC 35mi SE of Mayberry
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Posted: Wed Jan 09, 2008 5:45 pm Post subject: |
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I agree, here is my brush can.
Three Peluso 22-251 matched to 1 db for Decca tree work and VO
One RCA 44
One AKG 414 EB
One AKG 414 ULS
Three AKG 451 EB
One AKG 480/CK1
One Shure VP88
One Shure SM57
One Shure SM89 Shotgun
I respect that comfort comes to many when they buy a microphone that others use. But I have never been one to be told how to think about anything or product. So I make selections that I know will work the way I want them to work. I think that really good engineers probably march to the beat of their own drum as well.
PS Frank has more microphones than god. (God doesn’t need them any way) By comparison to Frank and several others I’m microphone poor. Thinking about a 416 in a few months. Just because, and for no
other reason. _________________ Esse quam videri "To be rather than to seem"
www.SaVoa.org No. 07000 Member AES 
Last edited by Ed Gambill on Wed Jan 09, 2008 6:05 pm; edited 1 time in total |
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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Wed Jan 09, 2008 6:04 pm Post subject: |
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One day I asked a favor of God and I said in re-payment of the favor I would throw all my microphones up in the air and he could keep all he wanted... Well, you know the rest of the story...
Truth - I have collected microphones for more than 30 years, and I have a couple or three in my collection.
O.K., back on track; Shotguns for location work are fine, and yes many, many studios use a shotgun mic for "second sourcing" (i.e.: use the main mic as a near field and a shotgun for far-field to keep the room sound), this gives a wonderful robust sound. Some studios use a shotgun "in-studio" to match the audio for film or video.
My C-12's are worth approximately $45,000 USD, right now. Would I sell them? No! In fact, H#%% NO! They serve a purpose in my facility.
All right, Q. Would I use a sho(t)gun for VO, for imaging, or other voiceover related projects?
A. Depends upon the circumstances.
Q. Should you use a shotgun for VO?
A. Depends upon the circumstances and if your voice is right for a shotgun.
Someone I know, just bought a 416. he asked me what I thought. I told him, it would be good for his voice.
Also, the only shotguns I own right now are Schoepps CMIT5U's. Why? because I like how they sound.
Toodles
F2 _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com
Last edited by Frank F on Wed Jan 09, 2008 8:50 pm; edited 3 times in total |
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Brett Mason Backstage Pass

Joined: 03 Jul 2007 Posts: 491 Location: Tidy Town, NC
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Posted: Wed Jan 09, 2008 6:41 pm Post subject: |
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Frank F wrote: | ...All right, Q. Would I use a shogun for VO, for imaging...
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Welp....personally, I would never use a Shogun for voiceover work.....guys just can't seem to properly pronounce their "L's"....nevermind that they're too darn feisty and won't take direction.......
...Noodles............ _________________ Brett
"Dare to be Yourself" - André Gide
Merry Merchants of Voice Over!
Mendicant |
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scottnilsen King's Row

Joined: 12 Jul 2007 Posts: 1170 Location: Orange County, CA
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Posted: Wed Jan 09, 2008 7:12 pm Post subject: |
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snorting with laughter _________________ We have nothing to fear but fear itself.
Well, that and mimes.
(714)408-6405 www.scottnilsen.com |
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Hart Assistant Asylum Chief

Joined: 03 Jan 2006 Posts: 2107 Location: Foley, AL
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Posted: Wed Jan 09, 2008 7:14 pm Post subject: |
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I'd love to buy Jeff's M147 he's got for sale. just because (Hi Ed!) but I've got other fish in the pan at the moment. Like building a studio... oh, and a house. Can't forget that little project. _________________ Hart Voice Overs Blog
Brian Hart Productions |
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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Wed Jan 09, 2008 7:24 pm Post subject: |
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Whoops --- hehehe - noodles....
F2 _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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Hart Assistant Asylum Chief

Joined: 03 Jan 2006 Posts: 2107 Location: Foley, AL
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Jowillie Lucky 700
Joined: 20 Aug 2006 Posts: 714 Location: North Carolina
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Posted: Wed Jan 09, 2008 7:28 pm Post subject: |
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ED.
I have a video breakfast scheduled with the gentleman in your avatar within the next couple of weeks. (Something about his Country Ham)
I WILL be using a Sennhieser MKH 416 to record the dialouge and conversations.
(and I have noticed most, not all, of the people that knock the 416 for voiceover apparently have never really tried one properly for VO.)  _________________ Wild Willie Edwards
www.hometowntvtoday.com
http://vomictest.blogspot.com |
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Diane Maggipinto Spreading Snark Worldwide

Joined: 03 Mar 2006 Posts: 6679 Location: saul lay seetee youtee
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Posted: Wed Jan 09, 2008 7:41 pm Post subject: |
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discussions like these are similar to pink and blue tasks--those for women,those for men. i mean NOT to paint with a broad brush or anything (heh.)
but what ed said is interesting: [note: i fixed your typos]
Quote: | PS Remember all those heavy hitters doing the Night Before Christmas video. It looked all the world to me like a 103 and not a 416 they were on. And I think it was recorded in LA area. |
in that, at first blush, i thought he was referring to the vo-bb project until i read the word 'video.' of course some of you will notice the mics used because it was, indeed, video but ... wasn't the sound--the sound--of the vo-bb 'night before christmas' stellar? and who as on what mic?
deep thoughts.  _________________ sitting at #8, though not as present as I'd like to be. Hello!
www.d3voiceworks.com |
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bobsouer Frequent Flyer

Joined: 15 Jul 2006 Posts: 9883 Location: Pittsburgh, PA
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Posted: Wed Jan 09, 2008 7:53 pm Post subject: |
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Diane,
Yes, the sound was stellar. In my case, because of circumstances regarding where I was (the specific studio) my voice was on a U87ai, through and Avalon M5 pre. _________________ Be well,
Bob Souer (just think of lemons)
The second nicest guy in voiceover.
+1-724-613-2749
Source Connect, phone patch, pony express |
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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Wed Jan 09, 2008 8:49 pm Post subject: |
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JoWillie,
Just so you know - Yes, I have tried a 416 for voiceovers. The real question is have you tried a C-12? Or, have you tried a Sony C800 for voiceovers, or...
I have recorded for film and video on location, I have tried just about every shotgun microphone available in just about every conceivable situation - and I still would not use a shotgun microphone for recording voiceovers - unless it the only microphone available. I always ask this question, let's see how you answer: "You could use a shotgun microphone for recording voiceovers, but why"? The same question could be asked regarding vocalists, would you use a shotgun microphone when recording this years "female vocalist of the year" for her latest album?
Frank Frederick
"The Voice" tm _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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bobsouer Frequent Flyer

Joined: 15 Jul 2006 Posts: 9883 Location: Pittsburgh, PA
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Posted: Wed Jan 09, 2008 9:08 pm Post subject: |
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Frank F wrote: | ...have you tried a C-12? |
Frank,
I have. A studio at which I used to record in Chicago in the 80s had two and a C-24. I love the C-12. _________________ Be well,
Bob Souer (just think of lemons)
The second nicest guy in voiceover.
+1-724-613-2749
Source Connect, phone patch, pony express |
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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Wed Jan 09, 2008 9:13 pm Post subject: |
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Yeah, now that is what I am talking about!
The right tool for the right job.
Frank F _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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