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Putting your mic(s) to bed...
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At the end of the day, what do you do with your mic(s)?
Leave it on the mic stand
71%
 71%  [ 23 ]
Leave it on the mic stand and cover it with something
21%
 21%  [ 7 ]
Put it back in the box
6%
 6%  [ 2 ]
Total Votes : 32

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Rob Ellis
M&M


Joined: 01 Aug 2006
Posts: 2385
Location: Detroit

PostPosted: Wed Apr 16, 2008 4:38 pm    Post subject: Reply with quote

Quote:
I figure that it's more of the strain on the connections to plug-and-unplug them all the dang time.


..that thought occured to me too.

Plus, there's always the danger of dropping one of them when putting them away in the box, or in the case of my Senn 416, jarring the mechanism inside when removing it from the mic clip, which is one of those rubberized plastic things that you sort of pop the mic into and out of...
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BenWils
The Thirteenth Floor


Joined: 08 May 2006
Posts: 1324
Location: In a Flyover State

PostPosted: Wed Apr 16, 2008 4:43 pm    Post subject: Reply with quote

I hope you got one of these to hold your 416. If not, you are probably picking up a lot of extra LF noise via vibrations etc.

http://www.sweetwater.com/store/detail/SM4/
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Ben


"To be really good at voiceover, you need to improve your footwork and hip snap."
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CarynClark
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Joined: 28 Feb 2007
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Location: Fort Myers, FL

PostPosted: Wed Apr 16, 2008 4:56 pm    Post subject: Reply with quote

Ugh... another thing to buy?

I don't have a shock mount.

And, I don't put my mic to bed. Guess I should though. I don't think I would clip/unclip it everyday... or take it off the mic stand though. Like some of you have said, I think plugging/unplugging, in my non-expert opinion, can be bad for it.
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Jeffrey Kafer
Assistant Zookeeper


Joined: 09 Dec 2006
Posts: 4931
Location: Location, Location!

PostPosted: Wed Apr 16, 2008 5:01 pm    Post subject: Reply with quote

Agreed. And if you get dust in the capsule or ribbon or whatever, just take some compressed air....

Smile
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Hart
Assistant Asylum Chief


Joined: 03 Jan 2006
Posts: 2107
Location: Foley, AL

PostPosted: Wed Apr 16, 2008 5:31 pm    Post subject: Reply with quote

I went with the ebay shock mount for my 416.
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Don G.
King's Row


Joined: 11 Nov 2004
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Location: MA

PostPosted: Wed Apr 16, 2008 6:20 pm    Post subject: Reply with quote

Jeez, I never thought for a minute to take it down. Good thing I don't have a Neumann. (But I guess if I did...I would.)
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Yoda117
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Joined: 20 Dec 2006
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Location: Philadelphia, Pennsylvania

PostPosted: Wed Apr 16, 2008 8:14 pm    Post subject: Reply with quote

Deirdre wrote:
I figure that it's more of the strain on the connections to plug-and-unplug them all the dang time.


Cable - yes (if poorly constructed)
Mic - not so much
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Blog - A man, a martini, and a lot of microphones
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Chrissy
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PostPosted: Wed Apr 16, 2008 9:03 pm    Post subject: Reply with quote

Yoda, Don't laugh...What's the AEA stand for?

Chrissy
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SomeAudioGuy
Contributor III


Joined: 08 Apr 2008
Posts: 75
Location: LA

PostPosted: Wed Apr 16, 2008 9:45 pm    Post subject: Reply with quote

I used to take my mics down all the time, just because it was a pain to replace bands on my shockmounts. I went through a really bad run of bands stretching. Just unlucky I guess.

Now I just buy yards of elastic cord like from this article about silencing your hard drive.

If you don't want to have to buy a shockmount (for no good reason I prefer the AudioTechnica AT8410a for my 416), you could just make your own. The pics on this site are kinda ugly, but the idea still works.
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Yoda117
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Joined: 20 Dec 2006
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Location: Philadelphia, Pennsylvania

PostPosted: Wed Apr 16, 2008 10:02 pm    Post subject: Reply with quote

Chrissy wrote:
Yoda, Don't laugh...What's the AEA stand for?

Chrissy


It's the company owned by Wes Dooley. They make some of the best ribbon mics on the market right now (their 44 remake is damn amazing). You can find them at www.wesdooley.com

I think ENAK also sells them, but don't quote me on that one.

As for the Sennheiser 416 shockmount, there's an Audio Technica shockmount that B&H sells with a rubber shockmount system that's pretty impressive. For the few times I've use the 416 in a VO application, I always had good results with it.

http://www.bhphotovideo.com/bnh/controller/home?shs=AUAT8415D&ci=0&sb=ps&pn=1&sq=desc&InitialSearch=yes&O=orderHistoryDetail.jsp&A=search&Q=*&bhs=t
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bobsouer
Frequent Flyer


Joined: 15 Jul 2006
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Location: Pittsburgh, PA

PostPosted: Thu Apr 17, 2008 9:30 am    Post subject: Reply with quote

Greg,

Now that shockmount is the cat's meow!
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Bob Souer (just think of lemons)
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tackerman
The Gates of Troy


Joined: 14 Jun 2006
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PostPosted: Thu Apr 17, 2008 9:38 am    Post subject: Reply with quote

I just leave my mic in the shockmount with an old Carhartt t-shirt thrown over it. I know I'd end up doing more damage if I tried to take it down and store it every night.
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Yoda117
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Joined: 20 Dec 2006
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Location: Philadelphia, Pennsylvania

PostPosted: Thu Apr 17, 2008 10:52 am    Post subject: Reply with quote

bobsouer wrote:
Greg,

Now that shockmount is the cat's meow!


I've got a pair for 416 and other shotgun mic applications. They work just fine on a boom or traditional studio stand. VERY good at isolation compared to a lot of the stuff using "scrunci" style elastic supports.
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BenWils
The Thirteenth Floor


Joined: 08 May 2006
Posts: 1324
Location: In a Flyover State

PostPosted: Thu Apr 17, 2008 11:06 am    Post subject: Reply with quote

Showoff! Kidding Wink
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Ben


"To be really good at voiceover, you need to improve your footwork and hip snap."
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bobbinbeamo
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Joined: 05 Mar 2007
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PostPosted: Thu Apr 17, 2008 7:48 pm    Post subject: Reply with quote

I'm with DB- I use my mic almost daily, and don't mess with the positioning of it and/or connections hassle. The capsule is already covered with a spongey pop filter- and then I close up the booth each evening, after covering my keyboard and mixer.
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