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Mastering Question for Audition
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Jeffrey Kafer
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Joined: 09 Dec 2006
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PostPosted: Tue Apr 10, 2007 6:40 pm    Post subject: Reply with quote

ok, a quick pass:

here's Amy's file normalized. The loudest volume is at 99% or just under 0db. It sounds kind of thin (no offense to Amy). In audition the file has lots of peaks and valleys:



Now here's the same file compressed. It has a "louder" sound though it never peaks above 0db. The sound file in Audition looks fuller with more peaks and less valleys:



Proof that compressed audio sounds bigger, fuller and more dynamic than normalized audio!
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Last edited by Jeffrey Kafer on Tue Apr 10, 2007 7:17 pm; edited 1 time in total
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Rob Ellis
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PostPosted: Tue Apr 10, 2007 7:06 pm    Post subject: Reply with quote

Question Jeffrey, I am an Audition 2.0 user (love it) and I usually normalize, but you have sold me on compression. What specific compression function did you use on the file you pictured? And how much compression did you apply?
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Jeffrey Kafer
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PostPosted: Tue Apr 10, 2007 7:14 pm    Post subject: Reply with quote

For Amy's, I used:


For my voice (and where I'd start with any male), I use:


Notice I chop the top and bottom most frequencies off completely because they don't contain much int he way of good sonic info. they contain hiss and rumble, if they're there.

Mine are far from perfect (I seem to enhance unwanted breath sounds), so I'd love to see others post their compression settings.
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Hart
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Joined: 03 Jan 2006
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PostPosted: Tue Apr 10, 2007 7:32 pm    Post subject: Reply with quote

Great example Jeff. That plugin is one of my favorite parts of 2.0. Watch it though, you'll become a plugin junkie, lol. They're like potato chips. You always gotta have one more.

For example, Chuck has me thinking about Wave Hammer from soundforge.
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bobsouer
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PostPosted: Tue Apr 10, 2007 7:44 pm    Post subject: Reply with quote

Hart wrote:
Wave Hammer from soundforge.

Brian,

Oh, a sweet little tool that is, too. I've been using Sound Forge since I used to beta test for them back in the 1.x days. For simple single track recordings, it's very tough to beat. Version 9 has just been announced by Sony. I've already placed my upgrade order.
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Hart
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PostPosted: Tue Apr 10, 2007 7:53 pm    Post subject: Reply with quote

Thanks for your thoughts Bob. Am I really going to buy another editor? Apparently, lol.
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asnively
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PostPosted: Tue Apr 10, 2007 8:32 pm    Post subject: Reply with quote

This has been so educational! (I love you Jeffrey!)
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Last edited by asnively on Fri Feb 27, 2009 1:57 am; edited 1 time in total
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Frank F
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Joined: 10 Nov 2004
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PostPosted: Tue Apr 10, 2007 8:35 pm    Post subject: Reply with quote

Gota go with Wave Hammer too! I love it for mastering. Using the proper settings makes it a dream. In a lot of ways smoother than Izotope.

Just my $0.02 worth.

F2
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Jeffrey Kafer
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PostPosted: Tue Apr 10, 2007 8:47 pm    Post subject: Reply with quote

I didn't get the results I was looking for with Wavehammer. So I'd love a screengrab of your settings to see what I might be doing wrong.
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Frank F
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PostPosted: Tue Apr 10, 2007 10:03 pm    Post subject: Reply with quote

Here are the settings for Wave Hammer using the Smooth Compression preset and some modifications. The waveform is the same as shown above with the original processing:



This is the file after processing using Wave Hammer:



Although the sound is still thin due to the original low input level. the file is more robust and louder.

Upon increasing 'presense' with a higher original input level the issue of thin-ness would disappear, theoretically.

Frank F
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Jeffrey Kafer
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PostPosted: Tue Apr 10, 2007 10:30 pm    Post subject: Reply with quote

Frank, you have your threshold set at -4.9 db. That means you are affecting all sounds quieter than that level?
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Frank F
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PostPosted: Tue Apr 10, 2007 11:54 pm    Post subject: Reply with quote

Wave Hammer uses a different alogrithm than you are used to with traditional compressors. Try it, you will like it.

Without squashing the sound you will find a more robust feel, without the compression artifacts.

F2

Edited for spelling errors... whoops.
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Last edited by Frank F on Wed Apr 11, 2007 7:44 am; edited 1 time in total
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allensco
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Joined: 30 Jul 2005
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PostPosted: Wed Apr 11, 2007 4:01 am    Post subject: Reply with quote

Sounds like I'll be placing an upgrade order for SF9 too!

I've not seen the WaveHammer plugin guys...that's cool! Does it come with the full version of SF ? I'm using SF Audio Studio 8 right now.
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sdelgo
Contributor IV


Joined: 04 Dec 2006
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Location: Milwaukee

PostPosted: Wed Apr 11, 2007 6:01 am    Post subject: Reply with quote

Dan,
If the program material is severely mismatched
you'll most likely be better off using a limiter to avoid "pumping" by the compressor. The limiter will allow you to set a limit on the highest peak as not to overshoot it and set a threshhold on the program material that will be boosted. You can get "that loud" sound without boosting noise as in normalizing. Pumping is the time it takes for the volume to return to the output level that is set on the compressor after the program material level falls beneath it's set threshold. Normalizing is just like a volume knob and shouldn't be used for tracking or mastering purposes ever.

Steve
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bobsouer
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Joined: 15 Jul 2006
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PostPosted: Wed Apr 11, 2007 6:04 am    Post subject: Reply with quote

allensco wrote:
Does it come with the full version of SF ?

Allen,

Yes, Wave Hammer is one of the plug-ins that ships with the full version of Sound Forge. Sony has added their superb noise reduction and CD mastering software as part of the full Sound Forge 9 package, so the upgrade price is even more a bargain. (The noise reduction plug-in alone normally retails for more than the upgrade price for Sound Forge 9.)

And it seems from the email announcement that Sound Forge 9 is now also a multi-track application; or at least does multi-channel surround sound.
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Bob Souer (just think of lemons)
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