VO-BB - A VO Family

the only studio I know of that still uses ISDN is paying AT&T $1500 per month for the lines. one month of that will pay for Source Connect Pro.

it's a no brainer.

One can only make the decision based on weighing the benefits and liabilities as they apply to one's personal situation. Depending on such, there are justifiable reasons to "go" as well as ...

For those who either use a shotgun mic or are considering getting one, this may be of interest.

I've had the opportunity to try out some mics over the past month and found some interesting compar ...

M advice is to not only do the job but get used to it.

I routinely record VO tracks to a timed window. Much of the work I do for television programming is done to locked video that has had a scr ...

Yes, it's a hodge-podge. Interestingly though, many cable shows are produced by unionized crews and editors, but feature non union talent.

When I signed with my current agent I was referred to them by one of their A list talents, and even with that "in", it was a month after I sent a 60 sec demo before I heard anything from the ...

Many users of the 416 may not be aware that the sonic footprint of the mic was intended to brighten up the tonal warming effect that tape had on recordings. Applied to the digital recording process, ...

Since I started doing VO work for a living...in 1980...only once has an editor asked what mic I was using. And that was a couple of years ago. He loved how it sounded, capturing via Source Connect. ...

Wondering if anyone is using a curved display monitor with your VO set up?
Am considering a 49" Samsung and curious if there might be any issue with
sound reflection back into the mic.

Yes, the license is for life.

About 7 years ago I bought SC Pro on the suggestion of a studio owner that operates a facility approx 50 miles from me, where I had been commuting to for years. . . ...

...The engineer didn't seem to care one way or the other and we moved on with the recording.

I swear, 99+% of producers, writers, and even engineers don't care what mic you use, ever. So long as yo ...

Anna Filaxsis and the Shocked

Pool Time!

My daily work mic is an MKH 50
My #2 is an original model SM7
The mic I've used at another studio and sounded amazing on was a U67

I use SC quite a lot and always roll a back up on PT but rarely ever need to send it to the engineer on the other end of the link.