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Production Masterclass for blah blah 401
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kgenus
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Joined: 01 Dec 2004
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PostPosted: Fri Sep 15, 2006 1:05 pm    Post subject: Production Masterclass for blah blah 401 Reply with quote

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Genus


Last edited by kgenus on Thu Dec 21, 2006 12:03 pm; edited 1 time in total
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Deirdre
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Joined: 10 Nov 2004
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PostPosted: Fri Sep 15, 2006 2:22 pm    Post subject: Reply with quote

This is SO COOL.
I like being able to discern the differences in the aural signature of these pieces.
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bobsouer
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PostPosted: Fri Sep 15, 2006 3:02 pm    Post subject: Reply with quote

Kevin,

Thank you for the excellent example files.
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Bob Souer (just think of lemons)
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Gregory Best
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PostPosted: Fri Sep 15, 2006 5:49 pm    Post subject: Bounce? Reply with quote

Kevin, I don't use Protools, what do you mean by "bounce"? Do you copy the file to a different track, or mix it down to another track?

Greg
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bobsouer
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PostPosted: Fri Sep 15, 2006 5:55 pm    Post subject: Re: Bounce? Reply with quote

GregAllen wrote:
Kevin, I don't use Protools, what do you mean by "bounce"? Do you copy the file to a different track, or mix it down to another track?

Greg

Greg,

Obviously, I'm not Kevin, but I do use ProTools. "Bounce" is ProTools speak for "Mix."
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Bob Souer (just think of lemons)
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Gregory Best
The Gates of Troy


Joined: 04 Aug 2005
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Location: San Diego area (east of Connie and south and east of Bailey)

PostPosted: Fri Sep 15, 2006 6:20 pm    Post subject: Thanks, Bob Reply with quote

I wondered about that since I use Audition


Greg
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Hart
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Joined: 03 Jan 2006
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PostPosted: Fri Sep 15, 2006 7:02 pm    Post subject: Reply with quote

Greg,

I get confused by that too (I'm also an Audition guy).

I guess I'm old too. When people say "bounce" I think back to 4 tracks and tape.
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Deirdre
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PostPosted: Fri Sep 15, 2006 7:04 pm    Post subject: Reply with quote

Same notion.

I still call flat round things that play music "records".
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Hart
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PostPosted: Fri Sep 15, 2006 7:08 pm    Post subject: Reply with quote

Deirdre wrote:
Same notion.


Yeah, it is. For some reason my mind never made the leap though. I "bounce" analog files but I "mix down" digital ones.

That's it, no more red wine or bulletin boards for me tonight.
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bobsouer
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PostPosted: Fri Sep 15, 2006 7:13 pm    Post subject: Reply with quote

Deirdre wrote:
I still call flat round things that play music "records".

Deirdre,

Even if they're silvery and shiny on one side? (Me too.)
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Bob Souer (just think of lemons)
The second nicest guy in voiceover.
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dhouston67
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Joined: 01 Aug 2005
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PostPosted: Fri Sep 15, 2006 7:36 pm    Post subject: Reply with quote

Yup, I continued to call CDs "albums" for years, since the word means "collection" or "compilation"...just as it did when it referred to vinyl.
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Pam
The Thirteenth Floor


Joined: 21 Jul 2006
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PostPosted: Sat Sep 16, 2006 7:09 am    Post subject: Reply with quote

OK threadjackers, back to topic. Thanks for the comparison Kevin. I found it fascinating to listen to each one and see the progression and the changes.
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steveanthony
Been Here Awhile


Joined: 30 Aug 2006
Posts: 247
Location: Western Massachusetts

PostPosted: Sat Sep 16, 2006 8:10 am    Post subject: Reply with quote

Kevin,

That McDSP MC2000 looks real interesting. Are you using the modeling features? And would you care to reveal or give us a general idea of how you set it up cuz it sounds real good. (both voice and the production).
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Audiogal
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Joined: 22 Aug 2005
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PostPosted: Sat Sep 16, 2006 9:29 pm    Post subject: Reply with quote

Thanks for doing this, Kevin.
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Mary
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Charlie Channel
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Joined: 08 Feb 2005
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Location: East Palo Alto, CA

PostPosted: Sun Sep 17, 2006 9:07 am    Post subject: Re: Bounce? Reply with quote

bobsouer wrote:
GregAllen wrote:
Kevin, I don't use Protools, what do you mean by "bounce"? Do you copy the file to a different track, or mix it down to another track?

Greg

Greg,

Obviously, I'm not Kevin, but I do use ProTools. "Bounce" is ProTools speak for "Mix."

"Bounce" also is used for file conversion in PT. As an example, I "bounce" to MP3, AIFF or other external file formats supported by PT.

The process Kevin's described is "mastering." It's the magic stuff that certain engineers or producers present as their gift for which some are paid quite well.

It usually goes: track1 + track2 + track? ... -> mixed track. Then, the mixed track is "mastered" (Eq., limiting, compressed, phase shifted, reverbed ... whatever).

The kick is that effects can be put anywhere in the chain. The trick is knowing what to do and how. Some voice talents must be adept at doing those feats because of the business they do, i.e., producing.

C
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