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Geronimo Guest
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Posted: Sat Feb 23, 2008 4:46 am Post subject: Noise Floor + dBFS |
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So now that I have upgraded much of the gear, the next project is to work on the recording room. But until I get it built, I'm trying to measure the noise floor for my current recordings.
I'm using the meter in AA 3.0 which displays values in dBFS as opposed to dB. The meter hangs around -48 dBFS for noise floor when I record white noise using the same pre/interface settings that I would use under normal vocal recording. When I look at Audition's Amplitude Statistics using sine, I get these stats:
Left Right
Min Sample Value: -142.2 -142.2
Max Sample Value: 153.84 153.84
Peak Amplitude: -46.57 dB -46.57 dB
Possibly Clipped: 0 0
DC Offset: 0 0
Minimum RMS Power: -65.44 dB -65.44 dB
Maximum RMS Power: -51.07 dB -51.07 dB
Average RMS Power: -56.85 dB -56.85 dB
Total RMS Power: -56.71 dB -56.71 dB
Actual Bit Depth: 24 Bits 24 Bits
Using RMS Window of 50 ms
Is it the peak amplitude value I should be concerned about, or the average RMS power value?
And what is a "good enough" value to have before building the recording room? |
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Edo Guest
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Posted: Sat Feb 23, 2008 3:19 pm Post subject: |
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-48dBFS is pretty noisy... Are you absolutely certain the noise isn't coming from say... an internal soundcard? There's your culprit right there... Computers aren't designed to treat audio very well... it's just one of 360 different functions it needs to do, hence sound isn't priority no. 1. Using external soundcards/interfaces have far better results.
Also please remember that tuning up your recording room requires a couple of thoughts:
- shape of the room (eliminate bundled reflections)
- MAM construction (mass-air-mass)
- wall-, floor-, and ceiling treatment
Furthermore the actual design of the room is way more important than the materials used to achieve your goals. If you are really interested in constructing a proper room or studio, I can recommend a very nice book by a guy called Rod Gervais. The book is called "Home Recording Studio, build it like the pros" and is considered a must have in the industry of studio construction. I'm not in any way involved with the author or the book, but it's money well spent. Here's one of the places to find it.
Also you can find a wealth of knowledge on the forum operated by a very well known studiobuilder. His stuff can be found HERE.
Good luck! |
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Geronimo Guest
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Posted: Sat Feb 23, 2008 7:59 pm Post subject: |
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Well, not absolutely certain, but more like 95% certain. My chain looks like this:
Senn 416 -> 5' Balanced XLR -> GR ME-1NV
GR ME-1NV -> 5' XLR/TRS -> M-Audio Fast Track Pro
M-Audio Fast Track Pro -> USB -> Audition 3.0
Through these forums and my own experimentation, I'm comfortable enough with the gear controls to believe everything is set up optimally, though I may have missed something.
But that then pretty much leaves my recording room (if you saw it, you'd understand) as the culprit.
I live in an apartment, and so don't have a room I can dedicate for recording, but I've begun reading up on the DIY recording booths, and hopefully those will give a substantial boost, err cut, to the noise floor. |
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Edo Guest
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Posted: Sun Feb 24, 2008 3:02 am Post subject: |
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Measuring noisefloor from the headphone output of your Fast Track Pro NOT connected to your computer through USB would be interesting... I'm curious if the specs would be the same or different. But I guess you don't have professional metering equipment available to check that.
Why not post a couple of detailed pics of your recording room? We might be able to comment on that. Could even be that there's a rather cheap way to adjust your room to achieve better results. I have been involved in studio construction a couple of times, and it helped me understand the concepts quite a bit.
Good luck! |
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Geronimo Guest
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Posted: Sun Feb 24, 2008 3:43 am Post subject: |
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Edo wrote: | Measuring noisefloor from the headphone output of your Fast Track Pro NOT connected to your computer through USB would be interesting... |
I'm not sure what you mean. I am not measuring the noise floor through my headphone output, and my FTP IS connected to my computer.
I am measuring noise floor using the meter in Audition 3, which is on the computer, which is connected via USB to the FTP .
My chain statements may have been confusing. I broke them up visually so as to look better aesthetically in the forum post. Disregarding aesthetics, this is my exact chain:
Senn 416 -> 5' Balanced XLR cord -> GR ME-1NV -> 5' XLR/TRS cord -> M-Audio Fast Track Pro -> USB -> Computer/Audition 3.0
Edo wrote: | Why not post a couple of detailed pics of your recording room? We might be able to comment on that. Could even be that there's a rather cheap way to adjust your room to achieve better results. I have been involved in studio construction a couple of times, and it helped me understand the concepts quite a bit. |
Lol.
I take that back.
Rofl.
Yes, you all would be able to comment on a cheap and simple way to achieve better results for my recording room.
Clean.
Hehe, I would be embarassed to show you my recording space, because it is an absolute disaster area. I have no doubt in my mind that just cleaning my recording space, and throwing out the empty amazon/sweetwater/bhphoto/etc boxes, wine bottles and pizza boxes, would do wonders for the sound alone. Heck, it would probably give me a 15db difference!
Though what I will wind up doing, so that I can procrastinate on the cleaning, is a DIY project for recording walls. I've seen a number of write-ups on the web, and I think Home Depot is my next stop! |
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Edo Guest
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Posted: Sun Feb 24, 2008 4:07 am Post subject: |
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I could have put it way easier... I would be interested to see what the noisefloor is BEFORE your chain enters the computer. USB connections have been known for generating noise, that's why I commented on you probably not having external stuff for measuring purposes... excuse me for being too techie.
And if in your current recording room there's loads of stuff, that probably HELPS preventing unwanted reflections and provides diffusion of sound waves as well. So even if it might not LOOK right... It can be a good thing after all.
Happy now?  |
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Geronimo Guest
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Posted: Sun Feb 24, 2008 4:29 am Post subject: |
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Edo wrote: | I could have put it way easier... I would be interested to see what the noisefloor is BEFORE your chain enters the computer. USB connections have been known for generating noise, that's why I commented on you probably not having external stuff for measuring purposes... excuse me for being too techie. |
Ahhh, ok, I understand what you mean now. Is there an extremely cheap piece of hardware that I can insert into the chain for that purpose?
The USB could be the culprit, or part of it. Earlier tonight, I ran a numbers test from where my mic is now, in the main room of my apartment, close to the windows that might grab some noise from the freeway 500+ yards away (slightly audible through my windows) and from the hallway of my apartment, with a few closet doors open, covered in blankets, etc, so as to block the small window noise from far away.
The difference in peak db value 5-10db. I would have expected it to have been more. So your thoughts on it being a chain issue seems more realistic. Especially since this is a shotgun mic. The cords I am using now are all gold, high end, etc. So if there is a way for me to accurately measure before it hits the USB, I'd love to hear about it.
Edo wrote: | And if in your current recording room there's loads of stuff, that probably HELPS preventing unwanted reflections and provides diffusion of sound waves as well. So even if it might not LOOK right... It can be a good thing after all.
Happy now?  |
Lol, hell yes. Now I am no longer scared of bringing chicks home from the bar. I can tell them the placement of my apartment trash was done purposefully, all in the name of voice acting!
Not sure if they will fall for it, but it's worth a shot! |
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Edo Guest
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Posted: Sun Feb 24, 2008 6:05 am Post subject: |
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Geronimo wrote: | Ahhh, ok, I understand what you mean now. Is there an extremely cheap piece of hardware that I can insert into the chain for that purpose? |
I'm afraid not... but why not take your whole chain to a pro audio dealer that HAS the required measuring equipment? Their measurements minus yours will probably be the answer...
Geronimo wrote: | Edo wrote: | And if in your current recording room there's loads of stuff, that probably HELPS preventing unwanted reflections and provides diffusion of sound waves as well. So even if it might not LOOK right... It can be a good thing after all.
Happy now?  |
Lol, hell yes. Now I am no longer scared of bringing chicks home from the bar. I can tell them the placement of my apartment trash was done purposefully, all in the name of voice acting!
Not sure if they will fall for it, but it's worth a shot! |
What's more... no better sound absorption than HUMAN BODIES!!! Ask any FOH (front of house) engineer at a rock concert... soundchecks are pretty much useless when done in an empty concerthall. That's why they always need a couple of songs to fine-tune the rigs to the actual acoustics (with the audience included).
Sounds to me you have a great excuse to test-drive some groupies
Don't forget to enjoy... hehehehe! |
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