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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Sun Jul 29, 2018 7:18 am Post subject: Senn Test Methodology - Please to give your Advices |
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Mistaking me for one of my betters, Senn has very kindly loaned me a couple of mics to compare with the 416: the 8040 and the 8060.
I'd like to share my findings but have a technical question about the best way to proceed.
Would it make more sense to record each of the 3 mics flat and work from those samples? Or to have them expertly EQ'd in my recording space to show them off in their finest finery?
I'm inclined to do both, and maybe that's the easy answer, but I wonder if I'm not missing something more obvious and effective...
Any thoughts on the best way to compare the mics without too much complexity (I don't want to spend way too much of a weekend on this but have rat-hole tendencies) are appreciated. _________________ Jack Daniel
Narrator / Man About Town |
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Eddie Eagle M&M
Joined: 23 Apr 2008 Posts: 2393
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Posted: Sun Jul 29, 2018 7:53 am Post subject: |
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True test them flat. Ideally this covers the most ground because producers will all have their own method to tweak or not based on their taste. |
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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Sun Jul 29, 2018 8:09 am Post subject: |
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Eddie Eagle wrote: | True test them flat. Ideally this covers the most ground because producers will all have their own method to tweak or not based on their taste. |
Good point--thank you. My biggest concern is that although I've worked hard to make my booth sound good, it has its limitations, and so the EQing I mentioned would have more to do with canceling those out than maximizing sweetness. That said, you're right that producers *should* be able to see through these limitations to what the mics can do; but my testing is primarily aimed at other VOs who might be considering a 416 to show them other Senn options exist that are newer and less brittle--at least in my preliminary testing. _________________ Jack Daniel
Narrator / Man About Town |
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Bruce Boardmeister
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Joined: 06 Jun 2005 Posts: 7921 Location: Portland, OR
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Posted: Sun Jul 29, 2018 10:11 am Post subject: |
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One of the best tests to date of that stubby little 8040 is that our Anthony Mendez has used it as the narrator for dozens of episodes of Jane the Virgin so far. And they only charge an extra $80 in honor of removing 7 inches of length from the 416.
B _________________ VO-BB Member #31 Enlisted June, 2005
I'm not a Zoo, but over the years I've played one on radio/TV. . |
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todd ellis A Zillion
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Joined: 02 Jan 2007 Posts: 10479 Location: little egypt
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Posted: Sun Jul 29, 2018 10:49 am Post subject: |
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story of my life. (sigh) _________________ "i know philip banks": todd ellis
who's/on/1st?
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dwpthe3rd Contributore Level V
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Joined: 28 Feb 2010 Posts: 198 Location: Where palm trees meet pines
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Posted: Sun Jul 29, 2018 12:26 pm Post subject: For the uninitiated like me... |
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Here's a link to a cool interview with AM.
https://www.youtube.com/watch?v=nOUk0MI4zLQ _________________ If attacked by a mob of clowns go for the juggler.
dwpthe3rd |
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Eddie Eagle M&M
Joined: 23 Apr 2008 Posts: 2393
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Posted: Sun Jul 29, 2018 4:34 pm Post subject: |
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Jack Daniel wrote: | my testing is primarily aimed at other VOs who might be considering a 416 to show them other Senn options exist that are newer and less brittle--at least in my preliminary testing. |
A flat test will give you all you need. If there's a difference in each mic you'll hear it. It's always fun to hear differences in mics. |
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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Mon Jul 30, 2018 7:44 am Post subject: |
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Bruce wrote: | One of the best tests to date of that stubby little 8040 is that our Anthony Mendez has used it as the narrator for dozens of episodes of Jane the Virgin so far. And they only charge an extra $80 in honor of removing 7 inches of length from the 416. |
Yep, Anthony himself is the reason I went down this road in the first place. He was telling me about how much more he likes the 8040 and how well it plays with the network engineers, so I listened. _________________ Jack Daniel
Narrator / Man About Town |
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JasonSound
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Joined: 28 Sep 2016 Posts: 16 Location: Atlanta, GA
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Posted: Mon Aug 06, 2018 2:31 pm Post subject: |
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A little late to the thread, but I am a fan of the 8040. I find that it works well at a little further distance than the 416 without sacrificing warmth or clarity. The pickup pattern is a little more forgiving on the front which allows for more movement of the head.
That being said, it wouldn't be the first mic I'd pull out for every talent. If your project requires the voice to cut through in the mid-range, the 416 is probably a better option. The 8040 also has a higher noise floor. It is probably not a good match if the talent has a soft voice.
I'd love to hear your thoughts, Jack. Was it a winner for you? _________________ Jason Shablik
jasonsound.com
Voice / Sound Design / Audio Post |
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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Mon Aug 06, 2018 2:36 pm Post subject: |
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JasonSound wrote: |
I'd love to hear your thoughts, Jack. Was it a winner for you? |
Great thoughts, Jason! Thanks for that. I'm still working on my review, but right now I'm really liking the 8060 more. It's a llttle more incisive--capturing that "cutting" quality of the 416 but with more "gentility," if that makes any sense. I do like the 8040, and to my ears it has more in common with the Neumann 87 sound than any other (strictly) Senn mic. A warmth and smoothness you don't get with the 416 or the 8060. But like I said I'm really digging the 8060 right now and will have a review soon...
Again thanks for the thoughtful comments. Please do share any more or, if you like, any samples as I would love to hear the 8040 on actual voices other than mine. _________________ Jack Daniel
Narrator / Man About Town |
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JohnV Been Here Awhile
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Joined: 25 Feb 2016 Posts: 230 Location: Md/DC
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Posted: Mon Nov 05, 2018 6:51 am Post subject: |
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It's been a while since I looked at the overall Senn line and this is really interesting... seems they have gone in the classic purist direction of small-diaphragm mics, much like what Neumann and AKG did with the km and ck lines in the 80's, going for an honest and natural set of sonics over several pattern choices. _________________ SoundscenesDC, main talent and production offices just 385k km up the gravity well in LuNoHoCo Center, old satellite studios still bookable at the future site of Johnson City! |
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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Wed Nov 07, 2018 6:04 pm Post subject: |
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JohnV wrote: | It's been a while since I looked at the overall Senn line and this is really interesting... seems they have gone in the classic purist direction of small-diaphragm mics, much like what Neumann and AKG did with the km and ck lines in the 80's, going for an honest and natural set of sonics over several pattern choices. |
Appreciate your thoughts, John. I've enjoyed playing with these newer mics, but I'm back with the 416. It's clearly the most cutting and present, even putting levels aside. That, and the fact that the engineers with whom I work have a clear preference for it that doesn't seem to be based entirely on familiarity. _________________ Jack Daniel
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Dayo Cinquecento
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Joined: 10 Jan 2008 Posts: 544 Location: UK
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Posted: Thu Nov 08, 2018 6:39 am Post subject: |
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Hey Jack - always like to swap notes re the 416; how do you like to position yours? _________________ Colin Day - UK Voiceover
www.thurstonday.co.uk |
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Jack Daniel Cinquecento
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Joined: 23 Jun 2016 Posts: 574 Location: SoCal
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Posted: Thu Nov 08, 2018 8:47 am Post subject: |
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Dayo wrote: | Hey Jack - always like to swap notes re the 416; how do you like to position yours? |
If viewed via time-lapse photography, my 416 positioning would appear, if I'm being kind, erratic in the last few years. I've tried straight-on, coming from the side, coming from below, and pointing down toward my neck; and with a variety of pop filters to keep things lively. I've also gone bare nekkid, talking past the mic to avoid pops. Here's where things stand currently:
I have the 416 tenderly clutched by an EA 600 mic mount on a Heil arm. The mic itself is at about a 45-degree angle pointing down toward my chin. It's also about 45 degrees off to my left side. I just got a Hook screen, which while a nice piece of gear, is really meant for front address, so I'm working on how to best use that, if at all. (I've had VAC screens, Stedman, etc.--I'm silly for shiny things).
The reason I've gone back to the "top-down" approach is to have the mic point more toward my chest and thus pick up that slight tonal advantage. This was at the urging of one of Big Promo Guys who was at my studio, and both he and the engineer I had here that day loved that change. I *think* I hear it but honestly I'm not sure sometimes. But I figure they know what they're talking about so I'm going with that.
I'm considering playing with having the mic come down at 45 deg. and straight on, as I can never leave well enough alone. I know guys who haven't changed their setup in years, have no interest in doing so, and are killing it. I just have the "what happens if I fiddle with THIS?" disease.
How 'bout you? _________________ Jack Daniel
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JohnV Been Here Awhile
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Joined: 25 Feb 2016 Posts: 230 Location: Md/DC
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Posted: Thu Nov 08, 2018 4:06 pm Post subject: |
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... and NONE of what you are fiddling around with is in any way out-of-line.
a short shotgun (for that I work an antique AKG451/ck8) by its very nature is a bit aggressive- sounding. The other thing is trusting the folks on the other end of the line. The chest-thing is interesting... makes sense if indeed they say they hear and care about the difference. _________________ SoundscenesDC, main talent and production offices just 385k km up the gravity well in LuNoHoCo Center, old satellite studios still bookable at the future site of Johnson City! |
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